Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Illustrations vii
4. Acknowledgements viii
5. Introduction 1
6. Part I: Foundational Face Work
7. 1. Outface and Interface 27
8. 2. ‘Everybody’s Somebody’s Fool’: Folie à Deux in Shakespeare’s Love Duets 52
9. 3. The Course of Recognition in Cymbeline 77
10. Part II: Composing Intimacy and Conflict
11. 4. Face to Face, Hand to Hand: Relations of Exchange in Hamlet 109
12. 5. Bed Tricks and Fantasies of Facelessness: All’s Well that Ends Well and Macbeth in the Dark 132
13. Part III: Facing Judgement
14. 6. The Face of Judgement in Measure for Measure 163
15. 7. Then Face to Face: Timing Trust in Macbeth 176
16. Part IV: Moving Pictures
17. 8. The Man of Sorrows: Edgar’s Disguise and Dürer’s Self-portraits 193
18. 9. The Face as Rhetorical Self in Ben Jonson’s Literature 210
19. 10. Hamlet’s Face 232
20. Afterword: Theatre and Speculation 250
21. Notes on Contributors 262
22. Bibliography 264
23. Index 285