Chapters in this book

1. Frontmatter i
2. Contents iii
3. List of Illustrations v
4. Acknowledgments ix
5. 1. Introduction: Replication in the Long Nineteenth Century – Re-makings and Reproductions 1
6. I. Replication and Networks
7. 2. Replication of Things: The Case for Composite Biographical Approaches 21
8. 3. Transatlantic Autograph Replicas and the Uplifting of American Culture 46
9. 4. “Petty Larceny” and “Manufactured Science”: Nineteenth-Century Parasitology and the Politics of Replication 67
10. 5. Portraying and Performing the Copy, c. 1900 84
11. II. Replication and Technology
12. 6. Replicating Tennyson’s The Princess, 1847–1853 101
13. 7. Paisley / Kashmir: Mapping the Imitation-Indian Shawl 122
14. 8. William Morris and the Form and Politics of Replication 144
15. 9. Text and Media Replication During the U.S.–Mexican War, 1846–1848 162
16. III. Replication and Authenticity
17. 10. Literary Replication and the Making of a Scientifi c “Fact”: Richard Owen’s Discovery of the Dinornis 179
18. 11. Copying from Nature: Biological Replication and Fraudulent Imposture in Grant Allen’s An African Millionaire 195
19. 12. The Failure of Replication in Nineteenth-Century Literature: Why It All Just Comes Out Wrong 213
20. IV. Replication and Time
21. 13. “Seeking Nothing and Finding It”: Moving On and Staying Put in Mugby Junction 229
22. 14. The Origins of Replication in Science 248
23. 15. Fathers, Sons, Beetles, and “a family of hypotheses”: Replication, Variation, and Information in Gregory Bateson’s Reading of William Bateson’s Rule 269
24. 16. Afterword: The Implications of Nineteenth-Century Replication Culture 289
25. Notes on Contributors 294
26. Index 299