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Afterword
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Chapters in this book
- Frontmatter i
- Contents v
- Series Editor’s Preface vii
- Acknowledgements ix
- Introduction 1
- 1. Lyric, Aestheticism and the Later Nineteenth Century 19
-
Part I: Time
- 2. Metre and Temporality: Between Hegel and Benjamin 55
- 3. Painting, Music, Touch: D. G. Rossetti’s Ekphrasis and Competing Temporalities 68
- 4. Parnassus and Commodity Time 90
-
Part II: Space
- 5. Form and Transaction: Lyric Touch 115
- 6. Arthur Symons and Decadent Lyric Phenomenology 130
- 7. ‘Space, the Bound of a Solid’: Alice Meynell and Thomas Hardy 153
-
Part III: Subjectivity
- 8. Desire Lines: Subjectivity and Collectivity 177
- 9. A. C. Swinburne in the Round: Drama, Personae and Lyric Subjectivity 189
- 10. Ezra Pound’s Troubadour Subject: Community, Form and ‘Lyric’ in Early Modernism 210
- Afterword 230
- Bibliography 237
- Index 261
Chapters in this book
- Frontmatter i
- Contents v
- Series Editor’s Preface vii
- Acknowledgements ix
- Introduction 1
- 1. Lyric, Aestheticism and the Later Nineteenth Century 19
-
Part I: Time
- 2. Metre and Temporality: Between Hegel and Benjamin 55
- 3. Painting, Music, Touch: D. G. Rossetti’s Ekphrasis and Competing Temporalities 68
- 4. Parnassus and Commodity Time 90
-
Part II: Space
- 5. Form and Transaction: Lyric Touch 115
- 6. Arthur Symons and Decadent Lyric Phenomenology 130
- 7. ‘Space, the Bound of a Solid’: Alice Meynell and Thomas Hardy 153
-
Part III: Subjectivity
- 8. Desire Lines: Subjectivity and Collectivity 177
- 9. A. C. Swinburne in the Round: Drama, Personae and Lyric Subjectivity 189
- 10. Ezra Pound’s Troubadour Subject: Community, Form and ‘Lyric’ in Early Modernism 210
- Afterword 230
- Bibliography 237
- Index 261