This publication is presented to you through Paradigm Publishing Services
Edinburgh University Press
Chapter
Publicly Available
ACKNOWLEDGEMENTS
Chapters in this book
- Frontmatter i
- CONTENTS v
- LIST OF ILLUSTRATIONS vii
- ACKNOWLEDGEMENTS viii
- 1 INTRODUCTION: ‘WHAT’S HECUBA TO HIM, OR HE TO HECUBA?’ 1
- 2 ISADORA DUNCAN, EDWARD GORDON CRAIG AND THE DREAM OF AN IMPOSSIBLE THEATRE 25
- 3 POETIC DRAMA: THEATRICALITY, PERFORMABILITY AND TRANSLATION 64
- 4 H.D.: FEET, HANDS AND HIEROGLYPHS 101
- 5 EPIC, TRAGIC, DRAMATIC THEATRE AND THE BRECHTIAN PROJECT 119
- 6 AFTERWORD: (NO) MORE MASTERPIECES 163
- BIBLIOGRAPHY 166
- INDEX 182
Chapters in this book
- Frontmatter i
- CONTENTS v
- LIST OF ILLUSTRATIONS vii
- ACKNOWLEDGEMENTS viii
- 1 INTRODUCTION: ‘WHAT’S HECUBA TO HIM, OR HE TO HECUBA?’ 1
- 2 ISADORA DUNCAN, EDWARD GORDON CRAIG AND THE DREAM OF AN IMPOSSIBLE THEATRE 25
- 3 POETIC DRAMA: THEATRICALITY, PERFORMABILITY AND TRANSLATION 64
- 4 H.D.: FEET, HANDS AND HIEROGLYPHS 101
- 5 EPIC, TRAGIC, DRAMATIC THEATRE AND THE BRECHTIAN PROJECT 119
- 6 AFTERWORD: (NO) MORE MASTERPIECES 163
- BIBLIOGRAPHY 166
- INDEX 182