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2. ‘I’m an adolescent. And that’s how I’m going to stay’: Lessing and Youth Culture 1956–1962
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- Timeline ix
- Introduction 1
- 1. Early Lessing, Commitment, the World 10
- 2. ‘I’m an adolescent. And that’s how I’m going to stay’: Lessing and Youth Culture 1956–1962 26
- 3. Sequence, Series and Character in Children of Violence 39
- 4. The Politics of Form: The Golden Notebook and Women’s Radical Literary Tradition 56
- 5. Readers of Fiction and Readers in Fiction: Readership and The Golden Notebook 71
- 6. From The Grass is Singing to The Golden Notebook: Film, Literature and Psychoanalysis 84
- 7. ‘A funny thing laughter, what’s it for?’: Humour and Form in Lessing’s Fiction 97
- 8. Lessing and the Scale of Environmental Crisis 111
- 9. Lessing and Time Travel 128
- 10. Lessing’s Interruptions 137
- 11. Lessing’s Witness Literature 152
- 12. A Catastrophic Universe: Lessing, Posthumanism and Deep History 164
- Select Bibliography 181
- Notes on Contributors 202
- Index 204
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgements vii
- Timeline ix
- Introduction 1
- 1. Early Lessing, Commitment, the World 10
- 2. ‘I’m an adolescent. And that’s how I’m going to stay’: Lessing and Youth Culture 1956–1962 26
- 3. Sequence, Series and Character in Children of Violence 39
- 4. The Politics of Form: The Golden Notebook and Women’s Radical Literary Tradition 56
- 5. Readers of Fiction and Readers in Fiction: Readership and The Golden Notebook 71
- 6. From The Grass is Singing to The Golden Notebook: Film, Literature and Psychoanalysis 84
- 7. ‘A funny thing laughter, what’s it for?’: Humour and Form in Lessing’s Fiction 97
- 8. Lessing and the Scale of Environmental Crisis 111
- 9. Lessing and Time Travel 128
- 10. Lessing’s Interruptions 137
- 11. Lessing’s Witness Literature 152
- 12. A Catastrophic Universe: Lessing, Posthumanism and Deep History 164
- Select Bibliography 181
- Notes on Contributors 202
- Index 204