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1. CONSCRIPTS AND RESERVISTS, PRIVATISATION AND REDEMPTION
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Chapters in this book
- Frontmatter i
- CONTENTS v
- FIGURES vii
- ACKNOWLEDGEMENTS ix
- TRADITIONS IN WORLD CINEMA xi
- INTRODUCTION 1
-
PART I SOLDIERS
- 1. CONSCRIPTS AND RESERVISTS, PRIVATISATION AND REDEMPTION 33
- 2. STARDOM, ATROCITY AND THE BEAUTY OF VIOLENCE 56
- 3. MILITARISED MASCULINITY AND ITS LOSSES 72
-
PART II OTHERS
- 4. EX-RESISTANTS, CONSCIENTIOUS OBJECTORS AND THE ETHICS OF MEMORY 105
- 5. FEMALE CITIZENS AND GUILT DISPLACEMENT 133
- 6. THE WAR AS SEEN FROM ALGERIA BY THE SETTLERS 161
- 7. THE WAR AS SPOKEN BY ALGERIANS AND THE LEFT 190
- CONCLUSION 217
- BIBLIOGRAPHY 224
- FILMOGRAPHY 244
- Index 249
Chapters in this book
- Frontmatter i
- CONTENTS v
- FIGURES vii
- ACKNOWLEDGEMENTS ix
- TRADITIONS IN WORLD CINEMA xi
- INTRODUCTION 1
-
PART I SOLDIERS
- 1. CONSCRIPTS AND RESERVISTS, PRIVATISATION AND REDEMPTION 33
- 2. STARDOM, ATROCITY AND THE BEAUTY OF VIOLENCE 56
- 3. MILITARISED MASCULINITY AND ITS LOSSES 72
-
PART II OTHERS
- 4. EX-RESISTANTS, CONSCIENTIOUS OBJECTORS AND THE ETHICS OF MEMORY 105
- 5. FEMALE CITIZENS AND GUILT DISPLACEMENT 133
- 6. THE WAR AS SEEN FROM ALGERIA BY THE SETTLERS 161
- 7. THE WAR AS SPOKEN BY ALGERIANS AND THE LEFT 190
- CONCLUSION 217
- BIBLIOGRAPHY 224
- FILMOGRAPHY 244
- Index 249