Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Figures vi
4. Acknowledgements viii
5. Introduction 1
6. 1 Celluloid and Paper: Rivalries, Synergies, Crossovers 12
7. 2 The World as Spectacle: Cinematic Theatricalities 53
8. 3 Painterly Hybridisations 86
9. 4 Architecture of Apocalypse, City of Lights 127
10. 5 Still/Moving: Photography and Cinematic Ontology 163
11. Conclusion 204
12. Bibliography 209
13. Index 220