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Chapter
Publicly Available
ABBREVIATIONS
Chapters in this book
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGEMENTS vi
- ABBREVIATIONS viii
- FIGURES ix
- INTRODUCTION 1
- 1 ‘I BAR THE MAGIC LANTERN’: DUBLINERS AND PRE-FILMIC CINEMATICITY 35
- 2 AN INDIVIDUATING RHYTHM: PICTURING TIME IN A PORTRAIT OF THE ARTIST AS A YOUNG MAN 106
- 3 ‘BUILDING-VISION-MACHINE’: ULYSSES AS MOVING PANORAMA 174
- CODA: THE MEDIA-CULTURAL IMAGINARY OF FINNEGANS WAKE 244
- CONCLUSION: BEFORE AND AFTER FILM 256
- SELECT VISIOGRAPHY 260
- SELECT BIBLIOGRAPHY 267
- INDEX 283
Chapters in this book
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGEMENTS vi
- ABBREVIATIONS viii
- FIGURES ix
- INTRODUCTION 1
- 1 ‘I BAR THE MAGIC LANTERN’: DUBLINERS AND PRE-FILMIC CINEMATICITY 35
- 2 AN INDIVIDUATING RHYTHM: PICTURING TIME IN A PORTRAIT OF THE ARTIST AS A YOUNG MAN 106
- 3 ‘BUILDING-VISION-MACHINE’: ULYSSES AS MOVING PANORAMA 174
- CODA: THE MEDIA-CULTURAL IMAGINARY OF FINNEGANS WAKE 244
- CONCLUSION: BEFORE AND AFTER FILM 256
- SELECT VISIOGRAPHY 260
- SELECT BIBLIOGRAPHY 267
- INDEX 283