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© 2024 State University of New York

© 2024 State University of New York

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. Illustrations vii
  4. Acknowledgments ix
  5. Introduction 1
  6. Part I
  7. 2017 Robert Creeley Lecture in Poetry and Poetics 19
  8. “My speech for that unspoken”: Recitation and Recognition in T. S. Eliot's “Marina” 49
  9. Jerome McGann's “Reading (I Mean Articulating) Poetry, a Multiplayer Game” 65
  10. Part II
  11. 2018 Robert Creeley Lecture in Poetry and Poetics: Dous Chantar 75
  12. Making-with Nightingales and Ants 105
  13. 2018 Robert Creeley Lecture Roundtable Discussion1 135
  14. Contributors 159
  15. Index 163
Soundings in Context
This chapter is in the book Soundings in Context
https://doi.org/10.1515/9781438497570-010

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. Illustrations vii
  4. Acknowledgments ix
  5. Introduction 1
  6. Part I
  7. 2017 Robert Creeley Lecture in Poetry and Poetics 19
  8. “My speech for that unspoken”: Recitation and Recognition in T. S. Eliot's “Marina” 49
  9. Jerome McGann's “Reading (I Mean Articulating) Poetry, a Multiplayer Game” 65
  10. Part II
  11. 2018 Robert Creeley Lecture in Poetry and Poetics: Dous Chantar 75
  12. Making-with Nightingales and Ants 105
  13. 2018 Robert Creeley Lecture Roundtable Discussion1 135
  14. Contributors 159
  15. Index 163
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