3 Facing Up to Hollywood (2000)

Chapters in this book

1. Front Matter i
2. Contents v
3. Illustrations ix
4. Acknowledgments xiii
5. Foreword xvii
6. At the Interface and Beyond 1
7. Latin American Cinema/s
8. Editors’ Introduction 13
9. A Cinema for the Continent (1994) 17
10. National History, Transnational History (1998) 29
11. Facing Up to Hollywood (2000) 37
12. Early Cinema and Modernity in Latin America (2000) 61
13. Film and Radio Intermedialities in Early Latin American Sound Cinema (2017) 91
14. From Hollywood and Back 109
15. The São Paulo Connection 135
16. Crossing Nations and Genres 163
17. Of Modes and Genres
18. Editors’ Introduction 183
19. Tears and Desire 187
20. Our Welcomed Guests 203
21. Of Rhythms and Borders (1997) 221
22. Mexico (2012) 251
23. Before Exploitation 271
24. (Not) Looking for Origins 295
25. Revolution and Dreams 309
26. The Battle of Chile 323
27. At the Limits of Documentary 341
28. A Poetics of the Trace (2014) 367
29. Intersections
30. Editors’ Introduction 389
31. Not Only a Question of Color 393
32. African Roots 401
33. Sergio Giral on Filmmaking in Cuba (1986–1987) 411
34. Are All Latins from Manhattan? 419
35. Greater Cuba (1996) 437
36. I (Also) Love Ricky 455
37. Final Thoughts, Metacritical Reflections
38. López on López 469
39. “Siete Veces Ana”An Afterword 475
40. Notes 479
41. Works Cited 517
42. Index 549