The Cinematographer's Voice
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Edited by:
Lindsay Coleman
and Roberto Schaefer
About this book
A unique exploration of contemporary filmmaking from cinema's ultimate insiders.
The Cinematographer's Voice is a unique exploration of contemporary filmmaking and cinematography. The distillation of more than one-hundred interviews with cinematographers from around the world, and the product of a decade's worth of scholarship, the book is not only a collection of interviews with some of the world's leading cinematographers, but also a panoramic sweep of what image-making means in the era of digital cinema. Frequently, cinematography may seem intimidating as a discipline, the preserve solely of practitioners who have learned, through years of exposure to photographic technology, both the required jargon and background knowledge to comfortably engage with an often-technical field. In our present era of film studies, this is no longer the case. The interviews collected here are informative not only on matters of technique, but also on the ways in which practitioners formulate their methodologies, work with directors, and engage with the many logistical hurdles of visual storytelling. The result is an oral history of the past forty years of filmmaking and the cinematography it has produced.
Author / Editor information
Lindsay Coleman is a Senior Instructor for Manhattan Review. His books include Contemporary Film Music: Investigating Cinema Narratives and Composition (coedited with Joakim Tillman). Roberto Schaefer is a member of the American Society of Cinematographers and Autori Italiani Cinematografia.
Reviews
"…this book needs to be in the hands of everyone interested in filmmaking. There's plenty of practical information to be devoured, but just as interesting are the issues of taste, philosophy and art which are also drawn out in great detail." — Normal Exposure
"There is something truly special about hearing expert craftspeople discuss their methods, inspirations, and difficulties. The Cinematographer's Voice offers the opportunity to hear these insights from many of the major names in cinematography." — The Film Stage
Topics
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Front Matter
i -
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Contents
vii -
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Illustrations
ix -
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Preface
xiii -
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Acknowledgments
xv -
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The Current Place of Cinematography in the Visual Language of Storytelling
1 -
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Peter Suschitzky
19 -
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Agnès Godard
37 -
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Dean Cundey
47 -
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Rodrigo Prieto
65 -
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Mauro Fiore
87 -
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Peter Deming
97 -
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Dion Beebe
115 -
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Christopher Doyle
127 -
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John Mathieson
137 -
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Luciano Tovoli
153 -
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Rajiv Menon
161 -
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Russell Carpenter
173 -
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Martin Ruhe
185 -
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Javier Aguirresarobe
195 -
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Claudio Miranda
207 -
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Seamus McGarvey
221 -
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John de Borman
229 -
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Affonso Beato
239 -
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Ellen Kuras
247 -
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Uta Briesewitz
261 -
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Roberto Schaefer
273 -
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John Seale
285 -
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Anthony Dod Mantle
297 -
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Index
311