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Chapter Seven Toric Tropes Are Stolen Boats
Reading Wordsworth’s The Prelude Topologically, with Lacan
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Chapters in this book
- Front Matter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction xi
- The Gaze of Frankenstein 01
- Goya’s Gaze 21
- Jacques Lacan and John Keats’s “Noble Animal Man” 37
- Abandoned by Providence 61
- Logical Time and the Romantic Sublime 81
- The Eros of Thanatos 99
- Toric Tropes Are Stolen Boats 119
- Tyranny as Demand 141
- Jouissance, Obscene Undersides, and Utopian/Dystopian Formations in Sarah Scott’s Millenium Hall and Mary Shelley’s The Last Man 157
- Contributors 177
- Index 179
Chapters in this book
- Front Matter i
- Contents v
- Illustrations vii
- Acknowledgments ix
- Introduction xi
- The Gaze of Frankenstein 01
- Goya’s Gaze 21
- Jacques Lacan and John Keats’s “Noble Animal Man” 37
- Abandoned by Providence 61
- Logical Time and the Romantic Sublime 81
- The Eros of Thanatos 99
- Toric Tropes Are Stolen Boats 119
- Tyranny as Demand 141
- Jouissance, Obscene Undersides, and Utopian/Dystopian Formations in Sarah Scott’s Millenium Hall and Mary Shelley’s The Last Man 157
- Contributors 177
- Index 179
