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5. America: New Expanses
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David V. Erdman
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Chapters in this book
- Frontmatter i
- Preface vii
- A Note on the First Illustration xi
- Contents xv
- List of Illustrations xvii
- List of Figures xxii
- Key to References xxiii
- 1. Apprenticeship at the Haymarket? 1
- 2. The French Revolution: Revelation’s New Form 30
- 3. Blake’s Composite Art 57
- 4. Blake and the Sister-Arts Tradition 82
- 5. America: New Expanses 92
- 6. Europe: “to those ychain’d in sleep” 115
- 7. Urizen: The Symmetry of Fear 146
- 8. Blake’s Use of Gesture 174
- 9. Songs of Innocence and of Experience: The Thrust of Design 196
- 10. The Presence of Cupid and Psyche 214
- 11. Blake and Urizen 244
- 12. Ore as a Fiery Paradigm of Poetic Torsion 263
- 13. Metamorphoses of a Favorite Cat 285
- 14. Envisioning the First Night Thoughts 304
- 15. Text and Design in Illustrations of the Book of Job 336
- 16. Epic Irony in Milton 359
- 17. The Formal Art of The Four Zoas 373
- 18. Narrative Structure and the Antithetical Vision of Jerusalem 391
- 19. Blake’s Cities: Romantic Forms of Urban Renewal 413
- 20. “Forms Eternal Exist For-ever”: The Covenant of the Harvest in Blake’s Prophetic Poems 443
- Index 465
- Plates 477
Chapters in this book
- Frontmatter i
- Preface vii
- A Note on the First Illustration xi
- Contents xv
- List of Illustrations xvii
- List of Figures xxii
- Key to References xxiii
- 1. Apprenticeship at the Haymarket? 1
- 2. The French Revolution: Revelation’s New Form 30
- 3. Blake’s Composite Art 57
- 4. Blake and the Sister-Arts Tradition 82
- 5. America: New Expanses 92
- 6. Europe: “to those ychain’d in sleep” 115
- 7. Urizen: The Symmetry of Fear 146
- 8. Blake’s Use of Gesture 174
- 9. Songs of Innocence and of Experience: The Thrust of Design 196
- 10. The Presence of Cupid and Psyche 214
- 11. Blake and Urizen 244
- 12. Ore as a Fiery Paradigm of Poetic Torsion 263
- 13. Metamorphoses of a Favorite Cat 285
- 14. Envisioning the First Night Thoughts 304
- 15. Text and Design in Illustrations of the Book of Job 336
- 16. Epic Irony in Milton 359
- 17. The Formal Art of The Four Zoas 373
- 18. Narrative Structure and the Antithetical Vision of Jerusalem 391
- 19. Blake’s Cities: Romantic Forms of Urban Renewal 413
- 20. “Forms Eternal Exist For-ever”: The Covenant of the Harvest in Blake’s Prophetic Poems 443
- Index 465
- Plates 477