A Note on the First Illustration

David V. Erdman; John E. Grant

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A Note on the First Illustration

David V. Erdman and John E. Grant

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This chapter is in the book Blake's Visionary Forms Dramatic

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Erdman, David V. and Grant, John E.. "A Note on the First Illustration". Blake's Visionary Forms Dramatic, Princeton: Princeton University Press, 1971, pp. xi-xiv. https://doi.org/10.1515/9781400886760-002

Erdman, D. & Grant, J. (1971). A Note on the First Illustration. In Blake's Visionary Forms Dramatic (pp. xi-xiv). Princeton: Princeton University Press. https://doi.org/10.1515/9781400886760-002

Erdman, D. and Grant, J. 1971. A Note on the First Illustration. Blake's Visionary Forms Dramatic. Princeton: Princeton University Press, pp. xi-xiv. https://doi.org/10.1515/9781400886760-002

Erdman, David V. and Grant, John E.. "A Note on the First Illustration" In Blake's Visionary Forms Dramatic, xi-xiv. Princeton: Princeton University Press, 1971. https://doi.org/10.1515/9781400886760-002

Erdman D, Grant J. A Note on the First Illustration. In: Blake's Visionary Forms Dramatic. Princeton: Princeton University Press; 1971. p.xi-xiv. https://doi.org/10.1515/9781400886760-002

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Chapters in this book

Frontmatter i
Preface vii
A Note on the First Illustration xi
Contents xv
List of Illustrations xvii
List of Figures xxii
Key to References xxiii
1. Apprenticeship at the Haymarket? 1
2. The French Revolution: Revelation’s New Form 30
3. Blake’s Composite Art 57
4. Blake and the Sister-Arts Tradition 82
5. America: New Expanses 92
6. Europe: “to those ychain’d in sleep” 115
7. Urizen: The Symmetry of Fear 146
8. Blake’s Use of Gesture 174
9. Songs of Innocence and of Experience: The Thrust of Design 196
10. The Presence of Cupid and Psyche 214
11. Blake and Urizen 244
12. Ore as a Fiery Paradigm of Poetic Torsion 263
13. Metamorphoses of a Favorite Cat 285
14. Envisioning the First Night Thoughts 304
15. Text and Design in Illustrations of the Book of Job 336
16. Epic Irony in Milton 359
17. The Formal Art of The Four Zoas 373
18. Narrative Structure and the Antithetical Vision of Jerusalem 391
19. Blake’s Cities: Romantic Forms of Urban Renewal 413
20. “Forms Eternal Exist For-ever”: The Covenant of the Harvest in Blake’s Prophetic Poems 443
Index 465
Plates 477

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https://doi.org/10.1515/9781400886760-002

Chapters in this book

Frontmatter i
Preface vii
A Note on the First Illustration xi
Contents xv
List of Illustrations xvii
List of Figures xxii
Key to References xxiii
1. Apprenticeship at the Haymarket? 1
2. The French Revolution: Revelation’s New Form 30
3. Blake’s Composite Art 57
4. Blake and the Sister-Arts Tradition 82
5. America: New Expanses 92
6. Europe: “to those ychain’d in sleep” 115
7. Urizen: The Symmetry of Fear 146
8. Blake’s Use of Gesture 174
9. Songs of Innocence and of Experience: The Thrust of Design 196
10. The Presence of Cupid and Psyche 214
11. Blake and Urizen 244
12. Ore as a Fiery Paradigm of Poetic Torsion 263
13. Metamorphoses of a Favorite Cat 285
14. Envisioning the First Night Thoughts 304
15. Text and Design in Illustrations of the Book of Job 336
16. Epic Irony in Milton 359
17. The Formal Art of The Four Zoas 373
18. Narrative Structure and the Antithetical Vision of Jerusalem 391
19. Blake’s Cities: Romantic Forms of Urban Renewal 413
20. “Forms Eternal Exist For-ever”: The Covenant of the Harvest in Blake’s Prophetic Poems 443
Index 465
Plates 477

A Note on the First Illustration

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