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Chapters in this book
- Frontmatter i
- Contents vii
- Plates ix
- Acknowledgments xi
- Introduction 1
- ONE. In the Documentary Mode: James, Lawrence, Woolf, and the Visual Arts 37
- TWO. Paintbrushes, Chisels, and Red Herrings: Decorative Uses of the Visual Arts and Pictorialism in Selected Novels by James and Earlier Novelists 70
- THREE. The Sisters' Arts: Virginia Woolf and Vanessa Bell 107
- FOUR. Art, Ideologies, and Ideals in Fiction: The Contrasting Cases of Virginia Woolf and D. H. Lawrence 124
- FIVE. Perception, Impression, and Knowledge in The Portrait of a Lady, The Ambassadors, and The Golden Bowl 157
- SIX. Encoding the Taboo in Women in Love 192
- Conclusion 214
- Notes 225
- Bibliography 249
- Index 259
Chapters in this book
- Frontmatter i
- Contents vii
- Plates ix
- Acknowledgments xi
- Introduction 1
- ONE. In the Documentary Mode: James, Lawrence, Woolf, and the Visual Arts 37
- TWO. Paintbrushes, Chisels, and Red Herrings: Decorative Uses of the Visual Arts and Pictorialism in Selected Novels by James and Earlier Novelists 70
- THREE. The Sisters' Arts: Virginia Woolf and Vanessa Bell 107
- FOUR. Art, Ideologies, and Ideals in Fiction: The Contrasting Cases of Virginia Woolf and D. H. Lawrence 124
- FIVE. Perception, Impression, and Knowledge in The Portrait of a Lady, The Ambassadors, and The Golden Bowl 157
- SIX. Encoding the Taboo in Women in Love 192
- Conclusion 214
- Notes 225
- Bibliography 249
- Index 259
