FIVE. Perception, Impression, and Knowledge in The Portrait of a Lady, The Ambassadors, and The Golden Bowl

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Plates ix
4. Acknowledgments xi
5. Introduction 1
6. ONE. In the Documentary Mode: James, Lawrence, Woolf, and the Visual Arts 37
7. TWO. Paintbrushes, Chisels, and Red Herrings: Decorative Uses of the Visual Arts and Pictorialism in Selected Novels by James and Earlier Novelists 70
8. THREE. The Sisters' Arts: Virginia Woolf and Vanessa Bell 107
9. FOUR. Art, Ideologies, and Ideals in Fiction: The Contrasting Cases of Virginia Woolf and D. H. Lawrence 124
10. FIVE. Perception, Impression, and Knowledge in The Portrait of a Lady, The Ambassadors, and The Golden Bowl 157
11. SIX. Encoding the Taboo in Women in Love 192
12. Conclusion 214
13. Notes 225
14. Bibliography 249
15. Index 259