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Notes on the Contributors
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments and Permissions viii
- Introduction: Deconstructing Saint-Saëns xi
-
PART I SAINT-SAËNS THE PERSON
- Saint-Saëns in (Semi-)Private 1
- Saint-Saëns, the Playful 8
- Inspired by the Skies? Saint-Saëns, Amateur Astronomer 12
- Changes on the Moon 17
- Business and Politics, with Humor: Saint-Saëns and Auguste Durand 26
- Rivals and Friends: Saint-Saëns, Massenet, and Thaïs 33
- Massenet–Saint-Saëns Correspondence 40
- Saint-Saëns and Lecocq: An Unwavering Friendship 48
-
PART II SAINT-SAËNS THE MUSICIAN
- Saint-Saëns and the Performer’s Prestige 55
- Le Maître and the “Strange Woman,” Marie Jaëll: Two Virtuoso-Composers in Resonance 85
- Saint-Saëns’s Improvisations on the Organ (1862) 102
- Providing Direction for French Music: Saint-Saëns and the Société Nationale 109
- Saint-Saëns as President of the Société des Compositeurs (1887–1891) 118
- Saint-Saëns at the Société des Concerts du Conservatoire de Paris (1903–1904) 125
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PART III SAINT-SAËNS THE GLOBETROTTER
- Saint-Saëns: The Traveling Musician 133
- Saint-Saëns in Germany 142
- Saint-Saëns in England: His Organ Symphony 161
- Analytical and Historical Programme for His New Symphony in C Minor and Major 167
- Saint-Saëns, “Algerian by Adoption” 173
- Friendship and Music in Indochina 184
- Saint-Saëns in New York 191
- Saint-Saëns and Latin America 201
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PART IV SAINT-SAËNS, AESTHETICS PAST AND PRESENT
- What’s in a Song? Camille Saint-Saëns’s Mélodies 209
- Saint-Saëns and the Ancient World: From Africa to Greece 232
- Saint-Saëns, Writer 260
- Saint-Saëns and Rameau’s Keyboard Music 266
- Preface, Rameau’s Pièces de Clavecin (Durand, 1895) 271
- Lyres and Citharas of Antiquity 275
- Ancient Lyres and Citharas From La Revue de l’art ancien et moderne (1903) 280
- Saint-Saëns and d’Indy in Dialogue 287
-
PART V SAINT-SAËNS IN THE THE 20TH CENTURY
- Saint-Saëns’s Advocacy of Music Education in Elementary School 303
- Report of M. Saint-Saëns 309
- Saint-Saëns and the Future of Music 312
- Musical Evolution, From Le Ménestrel, 24 June 1906 318
- The Fox in the Henhouse, or Saint-Saëns at the SMI 324
- Saint-Saëns, Ravel, and Their Piano Concertos: Sounding Out a Legacy 334
- Saint-Saëns and Silent Film / Sound Film and Saint-Saëns 357
- Beyond the Conceits of the Avant-Garde: Saint-Saëns, Romain Rolland, and the Musical Culture of the Nineteenth Century 370
- Index 405
- Notes on the Contributors 420
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments and Permissions viii
- Introduction: Deconstructing Saint-Saëns xi
-
PART I SAINT-SAËNS THE PERSON
- Saint-Saëns in (Semi-)Private 1
- Saint-Saëns, the Playful 8
- Inspired by the Skies? Saint-Saëns, Amateur Astronomer 12
- Changes on the Moon 17
- Business and Politics, with Humor: Saint-Saëns and Auguste Durand 26
- Rivals and Friends: Saint-Saëns, Massenet, and Thaïs 33
- Massenet–Saint-Saëns Correspondence 40
- Saint-Saëns and Lecocq: An Unwavering Friendship 48
-
PART II SAINT-SAËNS THE MUSICIAN
- Saint-Saëns and the Performer’s Prestige 55
- Le Maître and the “Strange Woman,” Marie Jaëll: Two Virtuoso-Composers in Resonance 85
- Saint-Saëns’s Improvisations on the Organ (1862) 102
- Providing Direction for French Music: Saint-Saëns and the Société Nationale 109
- Saint-Saëns as President of the Société des Compositeurs (1887–1891) 118
- Saint-Saëns at the Société des Concerts du Conservatoire de Paris (1903–1904) 125
-
PART III SAINT-SAËNS THE GLOBETROTTER
- Saint-Saëns: The Traveling Musician 133
- Saint-Saëns in Germany 142
- Saint-Saëns in England: His Organ Symphony 161
- Analytical and Historical Programme for His New Symphony in C Minor and Major 167
- Saint-Saëns, “Algerian by Adoption” 173
- Friendship and Music in Indochina 184
- Saint-Saëns in New York 191
- Saint-Saëns and Latin America 201
-
PART IV SAINT-SAËNS, AESTHETICS PAST AND PRESENT
- What’s in a Song? Camille Saint-Saëns’s Mélodies 209
- Saint-Saëns and the Ancient World: From Africa to Greece 232
- Saint-Saëns, Writer 260
- Saint-Saëns and Rameau’s Keyboard Music 266
- Preface, Rameau’s Pièces de Clavecin (Durand, 1895) 271
- Lyres and Citharas of Antiquity 275
- Ancient Lyres and Citharas From La Revue de l’art ancien et moderne (1903) 280
- Saint-Saëns and d’Indy in Dialogue 287
-
PART V SAINT-SAËNS IN THE THE 20TH CENTURY
- Saint-Saëns’s Advocacy of Music Education in Elementary School 303
- Report of M. Saint-Saëns 309
- Saint-Saëns and the Future of Music 312
- Musical Evolution, From Le Ménestrel, 24 June 1906 318
- The Fox in the Henhouse, or Saint-Saëns at the SMI 324
- Saint-Saëns, Ravel, and Their Piano Concertos: Sounding Out a Legacy 334
- Saint-Saëns and Silent Film / Sound Film and Saint-Saëns 357
- Beyond the Conceits of the Avant-Garde: Saint-Saëns, Romain Rolland, and the Musical Culture of the Nineteenth Century 370
- Index 405
- Notes on the Contributors 420