Camille Saint-Saëns and His World
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Edited by:
Jann Pasler
About this book
A revealing look at French composer and virtuoso Camille Saint-Saëns
Camille Saint-Saëns—perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music—is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saëns and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saëns, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saëns and His World restores the composer to his vital role as innovator and curator of Western music.
The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gérard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Léo Houziaux, Florence Launay, Stéphane Leteuré, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.
Author / Editor information
Reviews
"Jann Pasler's edited collection thus offers a significant contribution to Saint-Saens studies, and to the field of nineteenth- and early twentieth century French music as a whole."---Helen Abbott, French Studies
"This compilation of masterful scholarship is likely to become a preeminent source for information on Saint-Saëns."
"This study of a versatile, tasteful and often endearing composer, and a serious, playful and sometimes prickly man, may be thoroughly recommended."
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PART I SAINT-SAËNS THE PERSON
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Mitchell Morris Requires Authentication Unlicensed Licensed |
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Paul Viardot Requires Authentication Unlicensed Licensed |
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Léo Houziaux Requires Authentication Unlicensed Licensed |
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Camille Saint-Saëns Requires Authentication Unlicensed Licensed |
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Jann Pasler Requires Authentication Unlicensed Licensed |
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Jean-Christophe Branger Requires Authentication Unlicensed Licensed |
33 |
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Camille Saint-Saëns, Jules Massenet and Louise Massenet Requires Authentication Unlicensed Licensed |
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Yves Gérard Requires Authentication Unlicensed Licensed |
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PART II SAINT-SAËNS THE MUSICIAN
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Dana Gooley Requires Authentication Unlicensed Licensed |
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Florence Launay and Jann Pasler Requires Authentication Unlicensed Licensed |
85 |
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William Peterson Requires Authentication Unlicensed Licensed |
102 |
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Michael Strasser Requires Authentication Unlicensed Licensed |
109 |
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Laure Schnapper Requires Authentication Unlicensed Licensed |
118 |
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D. Kern Holoman Requires Authentication Unlicensed Licensed |
125 |
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PART III SAINT-SAËNS THE GLOBETROTTER
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Stéphane Leteuré Requires Authentication Unlicensed Licensed |
133 |
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Michael Stegemann Requires Authentication Unlicensed Licensed |
142 |
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Sabina Teller Ratner Requires Authentication Unlicensed Licensed |
161 |
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Camille Saint-Saëns Requires Authentication Unlicensed Licensed |
167 |
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Jann Pasler Requires Authentication Unlicensed Licensed |
173 |
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Jann Pasler Requires Authentication Unlicensed Licensed |
184 |
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Carolyn Guzski Requires Authentication Unlicensed Licensed |
191 |
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Carol A. Hess Requires Authentication Unlicensed Licensed |
201 |
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PART IV SAINT-SAËNS, AESTHETICS PAST AND PRESENT
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Annegret Fauser Requires Authentication Unlicensed Licensed |
209 |
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Jann Pasler Requires Authentication Unlicensed Licensed |
232 |
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Marie-Gabrielle Soret Requires Authentication Unlicensed Licensed |
260 |
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Katharine Ellis Requires Authentication Unlicensed Licensed |
266 |
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Camille Saint-Saëns Requires Authentication Unlicensed Licensed |
271 |
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Marie-Gabrielle Soret Requires Authentication Unlicensed Licensed |
275 |
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Camille Saint-Saëns Requires Authentication Unlicensed Licensed |
280 |
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Jann Pasler Requires Authentication Unlicensed Licensed |
287 |
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PART V SAINT-SAËNS IN THE THE 20TH CENTURY
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Jann Pasler Requires Authentication Unlicensed Licensed |
303 |
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Camille Saint-Saëns Requires Authentication Unlicensed Licensed |
309 |
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Byron Adams and Jann Pasler Requires Authentication Unlicensed Licensed |
312 |
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Camille Saint-Saëns Requires Authentication Unlicensed Licensed |
318 |
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Michel Duchesneau Requires Authentication Unlicensed Licensed |
324 |
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Michael J. Puri Requires Authentication Unlicensed Licensed |
334 |
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Martin Marks Requires Authentication Unlicensed Licensed |
357 |
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Leon Botstein Requires Authentication Unlicensed Licensed |
370 |
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405 |
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420 |