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2. Looking at the Worst: Wallace Stevens’s Th e Rock
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- 1. Introduction: Last Looks, Last Books 1
- 2. Looking at the Worst: Wallace Stevens’s Th e Rock 25
- 3. The Contest of Melodrama and Restraint: Sylvia Plath’s Ariel 47
- 4. Images of Subtraction: Robert Lowell’s Day by Day 70
- 5. Caught and Freed: Elizabeth Bishop and Geography III 94
- 6. Self-Portraits While Dying: James Merrill and A Scattering of Salts 117
- Notes 143
- The Andrew W. Mellon Lectures in the Fine Arts, 1952–2007 149
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- 1. Introduction: Last Looks, Last Books 1
- 2. Looking at the Worst: Wallace Stevens’s Th e Rock 25
- 3. The Contest of Melodrama and Restraint: Sylvia Plath’s Ariel 47
- 4. Images of Subtraction: Robert Lowell’s Day by Day 70
- 5. Caught and Freed: Elizabeth Bishop and Geography III 94
- 6. Self-Portraits While Dying: James Merrill and A Scattering of Salts 117
- Notes 143
- The Andrew W. Mellon Lectures in the Fine Arts, 1952–2007 149