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Princeton University Press
Kapitel
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Published Works of Edward T. Cone
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Musical Examples ix
- Tables xi
- Acknowledgments xiii
- Introduction 1
-
PART I. Aesthetics
- Introduction 9
- Essay One: The Missing Composer 11
- Essay Two: The Silent Partner 16
- Essay Three: The Irrelevance of Tonality? 38
- Essay Four: Hearing and Knowing Music 49
-
Part II: Opera and Song
- Essay Five: Mozart’s Deceptions 65
- Essay Six: Siegfried at the Dragon’s Cave: The Motivic Language of The Ring 80
- Essay Seven: Schubert’s Heine Songs 106
-
Part III: The Composer as Critic
- Essay Eight: The Composer as Critic 121
- Essay Nine: Schubert Criticizes Schubert 135
-
Part IV: Analysis
- Essay Ten: Schubert’s Symphonic Poem 153
- Essay Eleven: Debussy’s Art of Suggestion 159
- Essay Twelve: Stravinsky at the Tomb of Rimsky-Korsakov 170
- Essay Thirteen: Stravinsky’s Version of Pastoral 181
- Essay Fourteen: Stravinsky’s Sense of Form 190
- Published Works of Edward T. Cone 207
- Index 211
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Musical Examples ix
- Tables xi
- Acknowledgments xiii
- Introduction 1
-
PART I. Aesthetics
- Introduction 9
- Essay One: The Missing Composer 11
- Essay Two: The Silent Partner 16
- Essay Three: The Irrelevance of Tonality? 38
- Essay Four: Hearing and Knowing Music 49
-
Part II: Opera and Song
- Essay Five: Mozart’s Deceptions 65
- Essay Six: Siegfried at the Dragon’s Cave: The Motivic Language of The Ring 80
- Essay Seven: Schubert’s Heine Songs 106
-
Part III: The Composer as Critic
- Essay Eight: The Composer as Critic 121
- Essay Nine: Schubert Criticizes Schubert 135
-
Part IV: Analysis
- Essay Ten: Schubert’s Symphonic Poem 153
- Essay Eleven: Debussy’s Art of Suggestion 159
- Essay Twelve: Stravinsky at the Tomb of Rimsky-Korsakov 170
- Essay Thirteen: Stravinsky’s Version of Pastoral 181
- Essay Fourteen: Stravinsky’s Sense of Form 190
- Published Works of Edward T. Cone 207
- Index 211