This publication is presented to you through Paradigm Publishing Services
Edinburgh University Press
Chapter
Licensed
Unlicensed
Requires Authentication
Introduction to You-Narration
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vi
- Acknowledgements viii
- Introduction to You-Narration 1
-
Part I: Time and Affect
- 1. Disnarrating You in Andrew Cowan’s Your Fault (2019) 37
- 2. Seeing You as Another: Shame and the Gaze in Phoebe Waller-Bridge’s Fleabag (2016–19) 65
- 3. Narrating Oneself as Another: Autobiographical Writing in the Second Person 94
-
Part II: The Politics of Inclusion and Exclusion
- 4. Ironising Choice in You-Narration: Hypertext and Self-Help Fiction 119
- 5. Negotiating Gendered Subjectivity through Self-Effacement, Self-Creation and Self-Aggrandisement 141
- 6. Racialisation and Masculinity in Caleb Azumah Nelson’s Open Water (2021) and Charles Yu’s Interior Chinatown (2019) 173
- Coda: Future Directions for the Study of You-Narration 208
- Bibliography 221
- Index 237
Chapters in this book
- Frontmatter i
- Contents v
- List of Illustrations vi
- Acknowledgements viii
- Introduction to You-Narration 1
-
Part I: Time and Affect
- 1. Disnarrating You in Andrew Cowan’s Your Fault (2019) 37
- 2. Seeing You as Another: Shame and the Gaze in Phoebe Waller-Bridge’s Fleabag (2016–19) 65
- 3. Narrating Oneself as Another: Autobiographical Writing in the Second Person 94
-
Part II: The Politics of Inclusion and Exclusion
- 4. Ironising Choice in You-Narration: Hypertext and Self-Help Fiction 119
- 5. Negotiating Gendered Subjectivity through Self-Effacement, Self-Creation and Self-Aggrandisement 141
- 6. Racialisation and Masculinity in Caleb Azumah Nelson’s Open Water (2021) and Charles Yu’s Interior Chinatown (2019) 173
- Coda: Future Directions for the Study of You-Narration 208
- Bibliography 221
- Index 237