Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Figures vi
4. Series Editor’s Preface xiii
5. Acknowledgments xiv
6. Prologue xvii
7. Note on the Text xix
8. 1 Overview: A Genealogy of Intervention 1
9. 2 The Broadway Adepts, or Wilderizing Beckett 18
10. 3 Godot’s Bad Blood: The Tumult in Miami 112
11. 4 Cutting up Godot 124
12. 5 Mimeography: Godot and the Uncertainties of Textual Transmission 140
13. 6 ‘Cerebral physiology’, Degeneration and the Irrelevance of Godot 162
14. 7 The Case for Multiple Authorship 183
15. Appendix A Waiting for Godot. Theatre Arts. XL.8 (August 1956): 36–61 (collation) 196
16. Appendix B Peter Snow’s Autograph Revisions Collated with Grove Press edition 198
17. Appendix C Donald Albery’s memo to the Lord Chamberlain, April 1954 216
18. Appendix D Known Copies of Mimeographed Versions Waiting for Godot 222
19. Relevant Archives 225
20. References 226
21. Notes 238
22. Index 266