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Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgements ix
- A Note on Texts and Abbreviations x
- Introduction: Joseph Conrad and the Arts of His Time 1
- Chapter 1 The ‘Familiar Landscape’ in Conrad’s Polish Texts 15
- Chapter 2 Joseph Conrad, Apollo Nałecz- Korzeniowski and Polish Drama in the Nineteenth Century 37
- Chapter 3 Conrad, Music and the Performing Arts in Marseilles 53
- Chapter 4 Conrad and Australia: Operatic Instability and ‘The Planter of Malata’ 75
- Chapter 5 Revisiting Jean-Aubry’s ‘Joseph Conrad and Music’ (1924) 99
- Chapter 6 A Seeing Eye: Conrad and the Visual Arts 121
- Chapter 7 Conrad and Dance: From Music Hall to Modernism 146
- Chapter 8 ‘Un genre que Vs étonnera’: Conrad Writing for the Cinema 166
- Chapter 9 Conrad, the English Literary Theatre and Grand-Guignol 187
- Chapter 10 ‘A Theatrical Imagination’: Conrad’s Fiction and the Arts of the Modernist Stage 206
- Notes on Contributors 230
- Index 234
- Plates 242
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Acknowledgements ix
- A Note on Texts and Abbreviations x
- Introduction: Joseph Conrad and the Arts of His Time 1
- Chapter 1 The ‘Familiar Landscape’ in Conrad’s Polish Texts 15
- Chapter 2 Joseph Conrad, Apollo Nałecz- Korzeniowski and Polish Drama in the Nineteenth Century 37
- Chapter 3 Conrad, Music and the Performing Arts in Marseilles 53
- Chapter 4 Conrad and Australia: Operatic Instability and ‘The Planter of Malata’ 75
- Chapter 5 Revisiting Jean-Aubry’s ‘Joseph Conrad and Music’ (1924) 99
- Chapter 6 A Seeing Eye: Conrad and the Visual Arts 121
- Chapter 7 Conrad and Dance: From Music Hall to Modernism 146
- Chapter 8 ‘Un genre que Vs étonnera’: Conrad Writing for the Cinema 166
- Chapter 9 Conrad, the English Literary Theatre and Grand-Guignol 187
- Chapter 10 ‘A Theatrical Imagination’: Conrad’s Fiction and the Arts of the Modernist Stage 206
- Notes on Contributors 230
- Index 234
- Plates 242