Chapter
Open Access
2. Deeply Engaged Protest: Social Justice Pedagogy and Shakespeare’s “Monument”
-
Elisa Oh
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Acknowledgments viii
- Abstracts x
- Notes on Contributors xvi
- Introduction 1
- 1. On Shakespeare, Anticolonial Pedagogy, and Being Just 23
- 2. Deeply Engaged Protest: Social Justice Pedagogy and Shakespeare’s “Monument” 44
- 3. Teaching Shakespeare at an Urban Public Community College: An Equity-Driven Approach 62
- 4. Teaching Shakespeare as a Killjoy Practice in a White Dominant Institution 77
- 5. Shakespeare and Environmental Justice: Collaborative Eco-Theater in Yosemite National Park and the San Joaquin Valley 94
- 6. Where Curriculum Meets Community: Teaching Borderlands Shakespeare in San Antonio 111
- 7. Dressing to Transgress: Aesthetic Matching, Historical Costumers of Color, and the Restorying of Institutional Spaces 126
- 8. Shakespeare in a Catholic University: (Re)creating Knowledge in a Divided Landscape 144
- 9. Shakespeare’s Mixed Stock: Biracial Affect in the Field 159
- 10. Who Shot Romeo? And How Can We Stop the Bleeding? Urban Shakespeare, White People, and Education Beyond the Neoliberal Nightmare 180
- Afterword 196
- Bibliography 203
- Index 224
Chapters in this book
- Frontmatter i
- Contents v
- List of Figures vii
- Acknowledgments viii
- Abstracts x
- Notes on Contributors xvi
- Introduction 1
- 1. On Shakespeare, Anticolonial Pedagogy, and Being Just 23
- 2. Deeply Engaged Protest: Social Justice Pedagogy and Shakespeare’s “Monument” 44
- 3. Teaching Shakespeare at an Urban Public Community College: An Equity-Driven Approach 62
- 4. Teaching Shakespeare as a Killjoy Practice in a White Dominant Institution 77
- 5. Shakespeare and Environmental Justice: Collaborative Eco-Theater in Yosemite National Park and the San Joaquin Valley 94
- 6. Where Curriculum Meets Community: Teaching Borderlands Shakespeare in San Antonio 111
- 7. Dressing to Transgress: Aesthetic Matching, Historical Costumers of Color, and the Restorying of Institutional Spaces 126
- 8. Shakespeare in a Catholic University: (Re)creating Knowledge in a Divided Landscape 144
- 9. Shakespeare’s Mixed Stock: Biracial Affect in the Field 159
- 10. Who Shot Romeo? And How Can We Stop the Bleeding? Urban Shakespeare, White People, and Education Beyond the Neoliberal Nightmare 180
- Afterword 196
- Bibliography 203
- Index 224