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A Poem by Philippe Chabaneix

© 2022, Edinburgh University Press, Edinburgh

© 2022, Edinburgh University Press, Edinburgh

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Illustrations vii
  4. Acknowledgements viii
  5. Abbreviations ix
  6. Introduction 1
  7. CRITICISM
  8. Redefining ‘Photographic Realism’ in the Short Fiction of Katherine Mansfield 9
  9. Knowing What We Feel about Katherine Mansfield: Sentimentality and Expression in ‘The Garden Party’ 25
  10. Dickens, Death and Mary Ann: Katherine Mansfield’s ‘Life of Ma Parker’ 38
  11. ‘Passion in Movement’: Katherine Mansfield – Gesture, Motion and Dance 53
  12. Katherine Mansfield’s ‘Marriage à la Mode’: ‘far too facile’? 69
  13. The Quest for Autonomy amid Shifting Gender Expectations and Relationships in Katherine Mansfield’s Short Stories 87
  14. ‘Forgive my Hat’: Clothing as a Condition of Narratability in The Garden Party and Other Stories 100
  15. Katherine Mansfield’s Desperate Housewives and Metonymic Desire 114
  16. ‘If only one had time to look at these flowers long enough, time to get over the sense of novelty and strangeness’: The Political Language of Flowers in Katherine Mansfield’s The Garden Party and Other Stories 127
  17. CREATIVE WRITING
  18. SHORT STORIES
  19. ‘How Loud the Birds’ 143
  20. ‘The Marquee’ 153
  21. ‘Endless Sea’ 159
  22. POEMS
  23. Twenty Immortal Minutes: A Poem by Xu Zhimo 163
  24. A Poem by Philippe Chabaneix 167
  25. CRITICAL MISCELLANY
  26. Returning to ‘Kathy’: Christopher Isherwood’s Katherine Mansfield Fascination 173
  27. Katherine Mansfield’s Daily Herald Review of Joseph Conrad’s The Rescue 186
  28. REVIEW ESSAY
  29. Redrawing Katherine Mansfield’s Critical Horizons 193
  30. Notes on Contributors 206
  31. Index 210
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