Chapters in this book

1. Frontmatter i
2. Contents v
3. List of Figures viii
4. List of Tables xi
5. Notes on Contributors xii
6. Preface xviii
7. Acknowledgements xx
8. CRiMPing Methodologies: Introduction to New Materialist Creative Interventions in Methods and Practice 1
9. Part I: Bending Practice: De/forming Thought and Fields of Research
10. 1. Bending Feminism: Interview with Professor Sabine Hark 31
11. 2. RSVP Cycles: Post-Humanist Pedagogies 41
12. 3. Bending Time through Participatory Video Methods: Reassembling Urban Kino-cinema with Young People 61
13. 4. As a Matter of Play: Playful Methods for the Human and Social Sciences 89
14. Part II: Joining Together: New Methods for Bridging Disciplines Together
15. 5. Joining: A Collaboration between Katie King and Anna Hickey-Moody 113
16. 6. Creative Humanities for the Algorithmic Condition: Joining Theory and Art for a Curation of Knowledge 119
17. 7. Saltfish: Ecologies of Creative Processes 143
18. 8. Following Table-Work: Affirming More-than-Human Agency in Art-based Workshops 160
19. Part III: Making Waves: Methodological and Theoretical Strategies for Making Change
20. 9. Making Waves: Interview with Professor Avtar Brah 185
21. 10. Practising Geopoetics: Re-envisioning Research Creation through Nature-Creative Walking-Writing 194
22. 11. Friendship Workshops: A Feminist Arts-based Intraactivist Methodology with Children and Young People 220
23. 12. Catching a Wave: How Live Performance Enables New Views of Early Childhood 245
24. Part IV: Holding Patterns: Creative Methods as a Challenge to Practices of Knowledge Restriction
25. 13. Holding: Interview with Françoise Vergès 271
26. 14. Holding Space through Queer Documentary Film and Kinship Making 278
27. 15. Social Materials 304
28. 16. Follow the Material, Follow the Dirt 318
29. 17. CRiMPing Power: An Ethics of Practice in Creative Methods 336
30. Index 345