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12 Aural Anxiety and Rurality in Women’s Second World War Writing

© 2024, Edinburgh University Press, Edinburgh

© 2024, Edinburgh University Press, Edinburgh

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Figures viii
  4. Introduction 1
  5. Part I: Literature, Listening, Sounding
  6. 1 The Sound a Sentence Makes: On Poetry, Judgement, and Hearing 19
  7. 2 The Limits of Listening: Riotous Women, Imperial Structures, and Sonic Archives 32
  8. 3 PIANO/Forte: Writing Audible Space, Jane Austen, Dorothy Richardson, and Others 45
  9. 4 Oralities, Literacies, and the Xenophobic Fallacy 59
  10. Part II: Literature, Music, Performance
  11. 5 Notes to Literature: Scores as Musical Reproduction in the Literary Text 81
  12. 6 Sound Agonistes: Music and the Economy of Sacrifice in Sound Studies 99
  13. 7 Shakespeare’s Vibrant Theatres 115
  14. 8 ‘Imaginative and musical mixtures of sounds’: Rap, Patter, and Hyper Diction in Musical Theatre 129
  15. Part III: Literature, Voice, Acousmatics
  16. 9 ‘Let it resound’: ‘Lift Every Voice and Sing’ as Sonic Witness 145
  17. 10 Sound Media, Race, and Voice 154
  18. 11 The Acousmatics of Prison Writing 167
  19. 12 Aural Anxiety and Rurality in Women’s Second World War Writing 182
  20. Part IV: Literature, Media, Coded Sound
  21. 13 Sound Technology and US Fiction in the Postwar Era: The Ethics and Aesthetics of Cross-Racial Listening 201
  22. 14 Coded Sound: Reading in the Age of Networked Media 216
  23. 15 Media Affordances of Literary Audio: Interrelations of Format and Form 228
  24. 16 OH-EE-OH-EE-OH-EE-AW-EE-AW!: Sound Descriptors in the Books of Tarzan as Facilitators of Presence 250
  25. Part V: Literature, War, Industry
  26. 17 An Auditory History of Early Modernity: Listening to Enlightenment and Industry in Britain, 1700–1900 267
  27. 18 ‘This is/not was’: The Violence of Circulation and the Sonics of Submerged Language 284
  28. 19 Shriek and Hum: Industrial Noise and Productivity 302
  29. 20 A Critical Poetics of Warfare 316
  30. 21 The Great War: Sonic Fragments in Literature and Sound Studies 336
  31. Part VI: Literature, Sonic Epistemology, Language
  32. 22 Sonic Epistemologies 351
  33. 23 The Cultural Poetics of a Buoyancy Sound from Amazonian Ecuador 366
  34. 24 Havoc Ornithologies 382
  35. Notes on Contributors 406
  36. Index 411
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