Chapters in this book

1. Frontmatter i
2. Contents v
3. Figures vii
4. Acknowledgements viii
5. Notes on Contributors ix
6. Introduction: Unruly Filmmaker, Fellow Traveller 1
7. Part one
8. Chapter 1 Claiming Campion: The Question of Jane Campion’s Politics Revisited 19
9. Chapter 2 Two Friends: Circumstances of a Historic Feminist Collaboration 37
10. Part two
11. Chapter 3 Unsettling Presences: Agentic Embodiment in Jane Campion’s Films 57
12. Chapter 4 ‘The mood that passes through you’: Reverberations of Music and Meaning in The Piano 73
13. Chapter 5 ‘Only another man’: Homosociality in Jane Campion’s Bright Star and The Power of the Dog 91
14. Chapter 6 ‘I don’t think so, Jan, that’s just another fantasy’: Practice, Paratext and the Power of Women’s Talk in Jane Campion’s Filmmaking 108
15. Part three
16. Chapter 7 Articulating Feminism(s): Voicelessness, (In)Visibility and Agency in Top of the Lake 129
17. Chapter 8 Jane Campion’s Palimpsestuous Gothic: Kinship in Top of the Lake: China Girl 144
18. Chapter 9 Photosensitive Primetime: Race and Recovery in Top of the Lake: China Girl 160
19. Afterword: Unsettling Feminism 178
20. Bibliography 185
21. Filmography 198
22. Index 200