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Introduction

© University of Hawaii Press, Honolulu

© University of Hawaii Press, Honolulu

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Series Editor’s Preface ix
  4. Acknowledgments xi
  5. Introduction 1
  6. Part I: Queering Routes and Roots
  7. Introduction 15
  8. 1. The Softening of Butches: The Adoption of Korean “Soft” Masculinity among Thai Toms 19
  9. 2. Between Screens and Bodies: New Queer Performance in India 37
  10. 3. K-pop in Mexico: Flash Mobs, Media Stunts, and the Momentum of Global Mutual Recognition 55
  11. 4. Making the Past Present: Intertextuality and Pastiche in Bollywood Neo-Noir 72
  12. Part II: Relocating Stardom
  13. Introduction 89
  14. 5. The Politics and Promises of “Gangnam Style” 97
  15. 6. Ranveer Singh’s “Chichorapan”: Habitus, Masculinity, and Stardom 121
  16. 7. Consolidating Bollywood: Spectacularity without Stardom 138
  17. 8. Imitating Flower Boy Stars: K-pop Male Stars and Assembling New Female Masculinity in South Korea 155
  18. Part III: (Not) Crossing Over
  19. Introduction 171
  20. 9. Expanding Diasporic Identity through Bollywood Dance in London 177
  21. 10. From Seoul to Cinemascapes: The Private Lives of Contemporary Cine-Tourism in (and out) of India 195
  22. 11. Hallyu in Hollywood: South Korean Actors in the United States 209
  23. 12. Sassy Girls: A Transnational Reading of the Monstrous Girlfriend in South Korea, India, and the United States 227
  24. Part IV: Mediating Circuits and Markets
  25. Introduction 245
  26. 13. Imagining Virtual Audiences: Digital Distribution, Global Media, and Online Fandom 249
  27. 14. How K-pop Went Global: Digitization and the Market-Making of Korean Entertainment Houses 268
  28. 15. Toward a Global Community: Dreaming High with K-pop 282
  29. 16. Thinking Outside the Canvas: The Lost Art of Cinema Billboards in South Korea and India 303
  30. Bibliography 321
  31. Contributors 335
  32. Index 339
Pop Empires
This chapter is in the book Pop Empires
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