book: Pop Empires
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Pop Empires

Transnational and Diasporic Flows of India and Korea
  • Edited by: S. Heijin Lee , Monika Mehta , Robert Ji-Song Ku and Allison Alexy
  • With contributions by: Praseeda Gopinath , Dredge Byung’chu Kang-Nguyễn , Kareem Khubchandani , Hae Joo Kim , Robert Ji-Song Ku , Akshaya Kumar , S. Heijin Lee , Roald Maliangkay , Monika Mehta , Jane Chi Hyun Park , Lisa Patti , Kristen Rudisill , Layoung Shin , Solee I. Shin , Gohar Siddiqui , Valerie Soe , Samhita Sunya and Erica Vogel
Language: English
Published/Copyright: 2019
View more publications by University of Hawaii Press
Asia Pop!
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About this book

At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world’s consumers of culture (principally, popular culture) are India and South Korea. “Bollywood” and “Hallyu” are increasingly competing with “Hollywood”—either replacing it or filling a void in places where it never held sway.

This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas.

Author / Editor information

Lee S. Heijin :

S. Heijin Lee is assistant professor in the Department of Social and Cultural Analysis, New York University.Mehta Monika :

Monika Mehta is associate professor of English at Binghamton University of the State University of New York.Ku Robert Ji-Song :

Robert Ji-Song Ku is associate professor of Asian and Asian American studies at Binghamton University of the State University of New York.Alexy Allison :

Allison Alexy is assistant professor in the Department of Women’s Studies and the Department of Asian Languages and Cultures at the University of Michigan.Ku Robert Ji-Song :

Robert Ji-Song Ku is associate professor of Asian and Asian American studies at Binghamton University of the State University of New York.Lee S. Heijin :

S. Heijin Lee is assistant professor in the Department of Social and Cultural Analysis, New York University.Maliangkay Roald :

Roald Maliangkay is associate professor in Korean studies and director of the Korea Institute at the Australian National University.Mehta Monika :

Monika Mehta is associate professor of English at Binghamton University of the State University of New York.S. Heijin Lee (Editor)
S. Heijin Lee is assistant professor in the Department of Social and Cultural Analysis, New York University.

Monika Mehta (Editor)
Monika Mehta is associate professor of English at Binghamton University of the State University of New York.

Robert Ji-Song Ku (Editor)
Robert Ji-Song Ku is associate professor of Asian and Asian American studies at Binghamton University of the State University of New York.

Reviews

Anita Mannur, Miami University:
The editors of Pop Empires have accomplished the extraordinary. They have taken two major centers of media production in Asia and placed them in a comparative, transnational framework. Their contributors probe into multiple forms of popular culture—drag, cos play, film adaptations, dance classes, the construction of global mediascapes—to examine how these have produced new sites of engagement that more accurately speak to the migration and movement of people and commodities that characterized the early twenty-first century. All of the chapters are impressively interdisciplinary in scope and effectively allow us to look at forms of transnational cultural production that do not place the U.S. at the critical nexus of cultural inquiry.


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Robert Ji-Song Ku, Monika Mehta and S. Heijin Lee
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Part I: Queering Routes and Roots

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Dredge Byung’chu Kang-Nguyen
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Kareem Khubchandani
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Erica Vogel
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Gohar Siddiqui
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Part II: Relocating Stardom

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S. Heijin Lee
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Praseeda Gopinath
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Akshaya Kumar
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Layoung Shin
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Part III: (Not) Crossing Over

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Kristen Rudisill
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Samhita Sunya
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Valerie Soe
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Jane Chi Hyun Park
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Part IV: Mediating Circuits and Markets

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Monika Mehta and Lisa Patti
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Solee I. Shin
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Hae Joo Kim
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Roald Maliangkay
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
July 31, 2019
eBook ISBN:
9780824879921
Pages and Images/Illustrations in book
Main content:
360
Other:
15 b&w illustrations
Downloaded on 17.9.2025 from https://www.degruyterbrill.com/document/doi/10.1515/9780824879921/html
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