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© University of Hawaii Press, Honolulu

© University of Hawaii Press, Honolulu

Chapters in this book

  1. Frontmatter i
  2. CONTENTS vii
  3. ACKNOWLEDGMENTS ix
  4. Introduction. Knowledge Production on Hiroshima and Nagasaki: The Politics of Representation and a Critique of Canonization 1
  5. 1. Postcolonial Hiroshima Mon Amour: Franco-Japanese Collaboration in the American Shadow 17
  6. 2. Validating and Invalidating the National Sentiment: Kamei Fumio and the Early Days of Japanese Cinema on Hiroshima and Nagasaki 38
  7. 3. “You Saw Nothing in Hiroshima”: Performing Atomic Bomb Victimhood and the Visibility of the Hibakusha 64
  8. 4. Entangled Discourses: John Hersey and Nagai Takashi 82
  9. Afterword 99
  10. Notes 105
  11. Selected Bibliography 131
  12. Index 155
  13. ABOUT THE AUTHOR 163
Producing Hiroshima and Nagasaki
This chapter is in the book Producing Hiroshima and Nagasaki
https://doi.org/10.1515/9780824876258-009

Chapters in this book

  1. Frontmatter i
  2. CONTENTS vii
  3. ACKNOWLEDGMENTS ix
  4. Introduction. Knowledge Production on Hiroshima and Nagasaki: The Politics of Representation and a Critique of Canonization 1
  5. 1. Postcolonial Hiroshima Mon Amour: Franco-Japanese Collaboration in the American Shadow 17
  6. 2. Validating and Invalidating the National Sentiment: Kamei Fumio and the Early Days of Japanese Cinema on Hiroshima and Nagasaki 38
  7. 3. “You Saw Nothing in Hiroshima”: Performing Atomic Bomb Victimhood and the Visibility of the Hibakusha 64
  8. 4. Entangled Discourses: John Hersey and Nagai Takashi 82
  9. Afterword 99
  10. Notes 105
  11. Selected Bibliography 131
  12. Index 155
  13. ABOUT THE AUTHOR 163
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