Präsentiert durch Paradigm Publishing Services
University of Hawai'i Press
Kapitel
Lizenziert
Nicht lizenziert
Erfordert eine Authentifizierung
2. Validating and Invalidating the National Sentiment: Kamei Fumio and the Early Days of Japanese Cinema on Hiroshima and Nagasaki
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- Introduction. Knowledge Production on Hiroshima and Nagasaki: The Politics of Representation and a Critique of Canonization 1
- 1. Postcolonial Hiroshima Mon Amour: Franco-Japanese Collaboration in the American Shadow 17
- 2. Validating and Invalidating the National Sentiment: Kamei Fumio and the Early Days of Japanese Cinema on Hiroshima and Nagasaki 38
- 3. “You Saw Nothing in Hiroshima”: Performing Atomic Bomb Victimhood and the Visibility of the Hibakusha 64
- 4. Entangled Discourses: John Hersey and Nagai Takashi 82
- Afterword 99
- Notes 105
- Selected Bibliography 131
- Index 155
- ABOUT THE AUTHOR 163
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- Introduction. Knowledge Production on Hiroshima and Nagasaki: The Politics of Representation and a Critique of Canonization 1
- 1. Postcolonial Hiroshima Mon Amour: Franco-Japanese Collaboration in the American Shadow 17
- 2. Validating and Invalidating the National Sentiment: Kamei Fumio and the Early Days of Japanese Cinema on Hiroshima and Nagasaki 38
- 3. “You Saw Nothing in Hiroshima”: Performing Atomic Bomb Victimhood and the Visibility of the Hibakusha 64
- 4. Entangled Discourses: John Hersey and Nagai Takashi 82
- Afterword 99
- Notes 105
- Selected Bibliography 131
- Index 155
- ABOUT THE AUTHOR 163
