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Contemporary Audiences and the Pilgrimage to Nō
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Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- Foreword ix
-
PART I: Values of Nō and Kyōgen in Contemporary Society
- Introduction 3
- Expanding Nō’s Horizons: Considerations for a New Nō Perspective 19
- Yūgen after Zeami 36
- The Waki-Shite Relationship in Nō 65
-
PART II: Adaptation of Nō and Kyōgen to Contemporary Audiences
- Introduction 93
- A Return to Essence through Misconception: From Zeami to Hisao 111
- Nō Changes 125
- Dialogue and Monologue in Nō 142
-
PART III: Encounters with the West
- Introduction 157
- Experiments in Kyōgen 173
- Contemporary Audiences and the Pilgrimage to Nō 183
- Teaching the Paradox of Nō 202
- Pidgin-Creole Performance Experiment and the Emerging Entre-Garde 210
- Index 243
Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- Foreword ix
-
PART I: Values of Nō and Kyōgen in Contemporary Society
- Introduction 3
- Expanding Nō’s Horizons: Considerations for a New Nō Perspective 19
- Yūgen after Zeami 36
- The Waki-Shite Relationship in Nō 65
-
PART II: Adaptation of Nō and Kyōgen to Contemporary Audiences
- Introduction 93
- A Return to Essence through Misconception: From Zeami to Hisao 111
- Nō Changes 125
- Dialogue and Monologue in Nō 142
-
PART III: Encounters with the West
- Introduction 157
- Experiments in Kyōgen 173
- Contemporary Audiences and the Pilgrimage to Nō 183
- Teaching the Paradox of Nō 202
- Pidgin-Creole Performance Experiment and the Emerging Entre-Garde 210
- Index 243