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No and Kyogen in the Contemporary World
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Edited by:
Language:
English
Published/Copyright:
1997
About this book
How do classical, highly codified theatre arts retain the interest of today's audiences and how do they grow and respond to their changing circumstances? The eight essays presented here examine the contemporary relevance and significance of the "classic" No and Kyogen theatre to Japan and the West. They explore the theatrical experience from many perspectives--those of theatre, music, dance, art, literature, linguistics, philosophy, religion, history and sociology.
Author / Editor information
Contributor: James R. Brandon
James R. Brandon is emeritus professor of Asian theatre at the University of Hawai‘i.
Topics
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Frontmatter
i -
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Contents
v -
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Preface
vii -
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Foreword
ix - PART I: Values of Nō and Kyōgen in Contemporary Society
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Introduction
3 -
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Expanding Nō’s Horizons: Considerations for a New Nō Perspective
19 -
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Yūgen after Zeami
36 -
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The Waki-Shite Relationship in Nō
65 - PART II: Adaptation of Nō and Kyōgen to Contemporary Audiences
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Introduction
93 -
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A Return to Essence through Misconception: From Zeami to Hisao
111 -
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Nō Changes
125 -
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Dialogue and Monologue in Nō
142 - PART III: Encounters with the West
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Introduction
157 -
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Experiments in Kyōgen
173 -
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Contemporary Audiences and the Pilgrimage to Nō
183 -
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Teaching the Paradox of Nō
202 -
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Pidgin-Creole Performance Experiment and the Emerging Entre-Garde
210 -
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Index
243
Publishing information
Pages and Images/Illustrations in book
eBook published on:
February 12, 2018
eBook ISBN:
9780824863753
Pages and Images/Illustrations in book
eBook ISBN:
9780824863753
Audience(s) for this book
For an expert adult audience, including professional development and academic research