Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. ACKNOWLEDGMENTS vii
4. Introduction 1
5. 1 Interdiscipline and the Place of Classical Music in Film Studies 9
6. 2 Film Music and the Musical Community 34
7. 3 Sound Montage and Counterpoint Analogies 65
8. 4 Narration, Program, and Narrative 94
9. 5 Interpreting Classical Music in Film 129
10. 6 Summary, Conclusions, and Implications 170
11. BIBLIOGRAPHY 189
12. INDEX 203