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Introduction
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Dean Duncan
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Chapters in this book
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGMENTS vii
- Introduction 1
- 1 Interdiscipline and the Place of Classical Music in Film Studies 9
- 2 Film Music and the Musical Community 34
- 3 Sound Montage and Counterpoint Analogies 65
- 4 Narration, Program, and Narrative 94
- 5 Interpreting Classical Music in Film 129
- 6 Summary, Conclusions, and Implications 170
- BIBLIOGRAPHY 189
- INDEX 203
Chapters in this book
- Frontmatter i
- CONTENTS v
- ACKNOWLEDGMENTS vii
- Introduction 1
- 1 Interdiscipline and the Place of Classical Music in Film Studies 9
- 2 Film Music and the Musical Community 34
- 3 Sound Montage and Counterpoint Analogies 65
- 4 Narration, Program, and Narrative 94
- 5 Interpreting Classical Music in Film 129
- 6 Summary, Conclusions, and Implications 170
- BIBLIOGRAPHY 189
- INDEX 203
