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Introduction

  • Dean Duncan
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Charms that Soothe
This chapter is in the book Charms that Soothe
© 2022 Fordham University Press, New York, USA

© 2022 Fordham University Press, New York, USA

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. ACKNOWLEDGMENTS vii
  4. Introduction 1
  5. 1 Interdiscipline and the Place of Classical Music in Film Studies 9
  6. 2 Film Music and the Musical Community 34
  7. 3 Sound Montage and Counterpoint Analogies 65
  8. 4 Narration, Program, and Narrative 94
  9. 5 Interpreting Classical Music in Film 129
  10. 6 Summary, Conclusions, and Implications 170
  11. BIBLIOGRAPHY 189
  12. INDEX 203
https://doi.org/10.1515/9780823295265-002

Chapters in this book

  1. Frontmatter i
  2. CONTENTS v
  3. ACKNOWLEDGMENTS vii
  4. Introduction 1
  5. 1 Interdiscipline and the Place of Classical Music in Film Studies 9
  6. 2 Film Music and the Musical Community 34
  7. 3 Sound Montage and Counterpoint Analogies 65
  8. 4 Narration, Program, and Narrative 94
  9. 5 Interpreting Classical Music in Film 129
  10. 6 Summary, Conclusions, and Implications 170
  11. BIBLIOGRAPHY 189
  12. INDEX 203
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