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Chapter
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Acknowledgments
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Note on Citations xiii
- Introduction 1
-
PART ONE Philosophical Foundations
- 1. Presuppositions and Varieties of Aesthetic Experience 23
-
PART TWO Aesthetic Forms at the Scandinavian Periphery
- 2. Johan Ludvig Heiberg and the Autonomy of Art 57
- 3. Aesthetics of Fragmentation in Henrik Ibsen’s Peer Gynt 87
- 4. Nora’s Departure and the Aesthetics of Dependency 117
-
PART THREE Modernism and Dependency
- 5. Henry James and the Emergence of the Major Phase 169
- 6. Hugo von Hofmannsthal and the Language of the Future 204
- 7. Conflict and Mediation in James Joyce’s “The Dead” 220
- 8. Intransitive Love in Rainer Maria Rilke’s The Notebooks of Malte Laurids Brigge 247
- Conclusion 269
- Notes 273
- Bibliography 301
- Index 331
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Note on Citations xiii
- Introduction 1
-
PART ONE Philosophical Foundations
- 1. Presuppositions and Varieties of Aesthetic Experience 23
-
PART TWO Aesthetic Forms at the Scandinavian Periphery
- 2. Johan Ludvig Heiberg and the Autonomy of Art 57
- 3. Aesthetics of Fragmentation in Henrik Ibsen’s Peer Gynt 87
- 4. Nora’s Departure and the Aesthetics of Dependency 117
-
PART THREE Modernism and Dependency
- 5. Henry James and the Emergence of the Major Phase 169
- 6. Hugo von Hofmannsthal and the Language of the Future 204
- 7. Conflict and Mediation in James Joyce’s “The Dead” 220
- 8. Intransitive Love in Rainer Maria Rilke’s The Notebooks of Malte Laurids Brigge 247
- Conclusion 269
- Notes 273
- Bibliography 301
- Index 331