Kapitel in diesem Buch

1. Frontmatter i
2. Contents vii
3. Acknowledgments ix
4. Note on Citations xiii
5. Introduction 1
6. PART ONE Philosophical Foundations
7. 1. Presuppositions and Varieties of Aesthetic Experience 23
8. PART TWO Aesthetic Forms at the Scandinavian Periphery
9. 2. Johan Ludvig Heiberg and the Autonomy of Art 57
10. 3. Aesthetics of Fragmentation in Henrik Ibsen’s Peer Gynt 87
11. 4. Nora’s Departure and the Aesthetics of Dependency 117
12. PART THREE Modernism and Dependency
13. 5. Henry James and the Emergence of the Major Phase 169
14. 6. Hugo von Hofmannsthal and the Language of the Future 204
15. 7. Conflict and Mediation in James Joyce’s “The Dead” 220
16. 8. Intransitive Love in Rainer Maria Rilke’s The Notebooks of Malte Laurids Brigge 247
17. Conclusion 269
18. Notes 273
19. Bibliography 301
20. Index 331