Kapitel
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1. International Haggling over Iranian Public Screens
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Hamid Naficy
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xiii
- Organization of the Volumes xxi
- A Word about Illustrations xxvii
- Abbreviations xxix
- 1. International Haggling over Iranian Public Screens 1
- 2. The Statist Documentary Cinema and Its Alternatives 49
- 3. Commercial Cinema’s Evolution: From Artisanal Mode to Hybrid Production 147
- 4. Family Melodramas and Comedies: The Stewpot Movie Genre 197
- 5. Males, Masculinity, and Power: The Tough-Guy Movie Genre and Its Evolution 261
- 6. A Dissident Cinema: New-Wave Films and the End of an Era 325
- Notes 433
- Bibliography 473
- Index 497
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xiii
- Organization of the Volumes xxi
- A Word about Illustrations xxvii
- Abbreviations xxix
- 1. International Haggling over Iranian Public Screens 1
- 2. The Statist Documentary Cinema and Its Alternatives 49
- 3. Commercial Cinema’s Evolution: From Artisanal Mode to Hybrid Production 147
- 4. Family Melodramas and Comedies: The Stewpot Movie Genre 197
- 5. Males, Masculinity, and Power: The Tough-Guy Movie Genre and Its Evolution 261
- 6. A Dissident Cinema: New-Wave Films and the End of an Era 325
- Notes 433
- Bibliography 473
- Index 497
