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Epilogue Diaspora and Its Discontents
-
Jeffrey Lesser
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Illustrations and Tables ix
- Preface and Acknowledgments xi
- Abbreviations xv
- Prologue xix
- The Limits of Flexibility xix
- Introduction The Pacific Rim in the Atlantic World 1
- 1. Brazil’s Japan Film and the Space of Ethnicity, 1960–1970 25
- 2. Beautiful Bodies and (Dis)Appearing Identities Contesting Images of Japanese-Brazilian Ethnicity, 1970–1980 47
- 3. Machine Guns and Honest Faces Japanese-Brazilian Ethnicity and Armed Struggle, 1964–1980 74
- 4. Two Deaths Remembered 108
- 5. How Shizuo Osawa Became ‘‘Mário the Jap’’ 122
- Epilogue Diaspora and Its Discontents 148
- Notes 153
- Glossary 189
- Bibliography 191
- Index 215
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Illustrations and Tables ix
- Preface and Acknowledgments xi
- Abbreviations xv
- Prologue xix
- The Limits of Flexibility xix
- Introduction The Pacific Rim in the Atlantic World 1
- 1. Brazil’s Japan Film and the Space of Ethnicity, 1960–1970 25
- 2. Beautiful Bodies and (Dis)Appearing Identities Contesting Images of Japanese-Brazilian Ethnicity, 1970–1980 47
- 3. Machine Guns and Honest Faces Japanese-Brazilian Ethnicity and Armed Struggle, 1964–1980 74
- 4. Two Deaths Remembered 108
- 5. How Shizuo Osawa Became ‘‘Mário the Jap’’ 122
- Epilogue Diaspora and Its Discontents 148
- Notes 153
- Glossary 189
- Bibliography 191
- Index 215