Kapitel
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Frontmatter
-
Celine Parrenas Shimizu
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- 1. The Hypersexuality of Asian/American Women: Toward a Politically Productive Perversity on Screen and Scene 1
- 2. The Bind of Representation: Performing and Consuming Hypersexuality in Miss Saigon 30
- 3. The Sexual Bonds of Racial Stardom: Asian American Femme Fatales in Hollywood 58
- 4. Racial Threat or Racial Treat? Performing Yellowface Sex Acts in Stag Films, 1920–34 102
- 5. Queens of Anal, Double, Triple, and the Gangbang: Producing Asian/American Feminism in Pornography, 1940s–1990s 140
- 6. ‘‘Little Brown Fucking Machines Powered by Rice’’ or Sex Tourists with Movie Cameras and Prostitutes without Movie Cameras: Politicizing the Bottom in Southeast Asian Sex Tourist Movies 185
- 7. The Political Power of Hypersexuality in Asian American Feminist Films 226
- 8. New Horizons in Race-Positive Sexuality 267
- Notes 275
- Bibliography 301
- Index 325
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- 1. The Hypersexuality of Asian/American Women: Toward a Politically Productive Perversity on Screen and Scene 1
- 2. The Bind of Representation: Performing and Consuming Hypersexuality in Miss Saigon 30
- 3. The Sexual Bonds of Racial Stardom: Asian American Femme Fatales in Hollywood 58
- 4. Racial Threat or Racial Treat? Performing Yellowface Sex Acts in Stag Films, 1920–34 102
- 5. Queens of Anal, Double, Triple, and the Gangbang: Producing Asian/American Feminism in Pornography, 1940s–1990s 140
- 6. ‘‘Little Brown Fucking Machines Powered by Rice’’ or Sex Tourists with Movie Cameras and Prostitutes without Movie Cameras: Politicizing the Bottom in Southeast Asian Sex Tourist Movies 185
- 7. The Political Power of Hypersexuality in Asian American Feminist Films 226
- 8. New Horizons in Race-Positive Sexuality 267
- Notes 275
- Bibliography 301
- Index 325