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4 ‘‘The Fool in the Mirror’’: Self, Person, and Subjectivity
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
- A Note on Transcription Conventions xiii
- Prelude: ‘‘Turns’’ 1
- 1 Voicing Working-Class Culture 20
- 2 Knowing Lockhart: Two Perspectives 46
- 3 ‘‘Out the Country’’: Space, Time, and Stereotype 74
- 4 ‘‘The Fool in the Mirror’’: Self, Person, and Subjectivity 107
- 5 ‘‘Feeling’’ and ‘‘Relating’’: Speech, Song, Story, and Emotion 152
- Interlude: Photo Essay 193
- 6 ‘‘Bring Me Up in a Beer Joint’’: The Poetics of Speech and Song 214
- 7 ‘‘The Women Take Care of That’’: Engendering Working-Class Culture 249
- 8 The Art of Singing: Speech and Song in Performance 272
- 9 ‘‘I Hang My Head and Cry’’: The Character of the Voice 300
- Coda: Indigenous to Modernity 317
- Notes 323
- References 349
- Appendix 357
- Index 359
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Preface ix
- A Note on Transcription Conventions xiii
- Prelude: ‘‘Turns’’ 1
- 1 Voicing Working-Class Culture 20
- 2 Knowing Lockhart: Two Perspectives 46
- 3 ‘‘Out the Country’’: Space, Time, and Stereotype 74
- 4 ‘‘The Fool in the Mirror’’: Self, Person, and Subjectivity 107
- 5 ‘‘Feeling’’ and ‘‘Relating’’: Speech, Song, Story, and Emotion 152
- Interlude: Photo Essay 193
- 6 ‘‘Bring Me Up in a Beer Joint’’: The Poetics of Speech and Song 214
- 7 ‘‘The Women Take Care of That’’: Engendering Working-Class Culture 249
- 8 The Art of Singing: Speech and Song in Performance 272
- 9 ‘‘I Hang My Head and Cry’’: The Character of the Voice 300
- Coda: Indigenous to Modernity 317
- Notes 323
- References 349
- Appendix 357
- Index 359