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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
- Foreword: A Walker in the City: Maeda Ai and the Mapping of Urban Space xi
- Introduction: Refiguring the Modern: Maeda Ai and the City 1
-
LIGHT CITY, DARK CITY: VISUALIZING THE MODERN
- 1. Utopia of the Prisonhouse: A Reading of In Darkest Tokyo 21
- 2. The Panorama of Enlightenment 65
- 3. The Spirits of Abandoned Gardens: On Nagai Kafū’s ‘‘The Fox’’ 91
-
PLAY, SPACE, AND MASS CULTURE
- 4. Their Time as Children: A Study of Higuchi Ichiyō’s Growing Up (Takekurabe) 109
- 5. Asakusa as Theater: Kawabata Yasunari’s The Crimson Gang of Asakusa 145
- 6. The Development of Popular Fiction in the Late Taishō Era: Increasing Readership of Women’s Magazines 163
-
TEXT, SPACE, VISUALITY
- 7. From Communal Performance to Solitary Reading: The Rise of the Modern Japanese Reader 223
- 8. Modern Literature and the World of Printing 255
-
CROSSING BOUNDARIES IN URBAN SPACE
- 9. Ryūhoku in Paris 275
- 10. Berlin 1888: Mori Ōgai’s ‘‘Dancing Girl’’ 295
- 11. In the Recesses of the High City: On Sōseki’s Gate 329
- AFTERWORD 351
- Contributors 375
- Index 377
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
- Foreword: A Walker in the City: Maeda Ai and the Mapping of Urban Space xi
- Introduction: Refiguring the Modern: Maeda Ai and the City 1
-
LIGHT CITY, DARK CITY: VISUALIZING THE MODERN
- 1. Utopia of the Prisonhouse: A Reading of In Darkest Tokyo 21
- 2. The Panorama of Enlightenment 65
- 3. The Spirits of Abandoned Gardens: On Nagai Kafū’s ‘‘The Fox’’ 91
-
PLAY, SPACE, AND MASS CULTURE
- 4. Their Time as Children: A Study of Higuchi Ichiyō’s Growing Up (Takekurabe) 109
- 5. Asakusa as Theater: Kawabata Yasunari’s The Crimson Gang of Asakusa 145
- 6. The Development of Popular Fiction in the Late Taishō Era: Increasing Readership of Women’s Magazines 163
-
TEXT, SPACE, VISUALITY
- 7. From Communal Performance to Solitary Reading: The Rise of the Modern Japanese Reader 223
- 8. Modern Literature and the World of Printing 255
-
CROSSING BOUNDARIES IN URBAN SPACE
- 9. Ryūhoku in Paris 275
- 10. Berlin 1888: Mori Ōgai’s ‘‘Dancing Girl’’ 295
- 11. In the Recesses of the High City: On Sōseki’s Gate 329
- AFTERWORD 351
- Contributors 375
- Index 377