Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS v
3. Introduction 1
4. DISCOURSES / HISTORIES
5. Reflections of a Disappointed Popular Music Scholar 25
6. Elvis Everywhere: Musicology and Popular Music Studies at the Twilight of the Canon 60
7. ‘‘Think about What You’re Trying to Do to Me’’: Rock Historiography and the Construction of a Raced-Based Dialectic 110
8. Hijacked Hits and Antic Authenticity: Cover Songs, Race, and Postwar Marketing 133
9. NEW SPACES / NEW MAPS
10. Why Isn’t Country Music ‘‘Youth’’ Culture? 161
11. Just a Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth 191
12. Satellite Rhythms: Channel V, Asian Music Videos, and Transnational Gender 216
13. The ‘‘Feminization’’ of Rock 233
14. Rock’s Reconquista 255
15. DESIRES / AFFECTS
16. A Fan’s Notes: Identification, Desire, and the Haunted Sound Barrier 291
17. Mourning Becomes . . . ? Kurt Cobain, Tupac Shakur, and the ‘‘Waning of A√ect’’ 311
18. D.C. Punk and the Production of Authenticity 335
19. Queen Theory: Notes on the Pet Shop Boys 357
20. Index 371
21. Contributors 389