Presented to you through Paradigm Publishing Services
Duke University Press
Chapter
Licensed
Unlicensed
Requires Authentication
2 Resisting the Lure of the Commodity: Laura and the Spectacle of the Gay Male Body
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- Introduction: I'm Really a Queen Myself 1
-
PART 1 Film Noir and the Political Economy of Cold War Masculinity
- 1 Masculinizing the American Dream: Discourses of Resistance in the Cold War Era 23
- 2 Resisting the Lure of the Commodity: Laura and the Spectacle of the Gay Male Body 55
- 3 "Real American History": Crossfire and the Increasing Invisibility of Gay Men in the Cold War Era 79
-
PART 2 Gay Male Cultural Production in the Cold War Era
- 4 Tennessee Williams and the Politics of the Closet 107
- 5 Gore Vidal and the Erotics of Masculinity 135
- 6 A Negative Relation to One's Culture: James Baldwin and the Homophobic Politics of Form 160
- Conclusion: The Work of Transformation 191
- Notes 199
- Index 237
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- Introduction: I'm Really a Queen Myself 1
-
PART 1 Film Noir and the Political Economy of Cold War Masculinity
- 1 Masculinizing the American Dream: Discourses of Resistance in the Cold War Era 23
- 2 Resisting the Lure of the Commodity: Laura and the Spectacle of the Gay Male Body 55
- 3 "Real American History": Crossfire and the Increasing Invisibility of Gay Men in the Cold War Era 79
-
PART 2 Gay Male Cultural Production in the Cold War Era
- 4 Tennessee Williams and the Politics of the Closet 107
- 5 Gore Vidal and the Erotics of Masculinity 135
- 6 A Negative Relation to One's Culture: James Baldwin and the Homophobic Politics of Form 160
- Conclusion: The Work of Transformation 191
- Notes 199
- Index 237