Chapter
Licensed
Unlicensed
Requires Authentication
Introduction: I'm Really a Queen Myself
-
Robert J. Corber
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- Introduction: I'm Really a Queen Myself 1
-
PART 1 Film Noir and the Political Economy of Cold War Masculinity
- 1 Masculinizing the American Dream: Discourses of Resistance in the Cold War Era 23
- 2 Resisting the Lure of the Commodity: Laura and the Spectacle of the Gay Male Body 55
- 3 "Real American History": Crossfire and the Increasing Invisibility of Gay Men in the Cold War Era 79
-
PART 2 Gay Male Cultural Production in the Cold War Era
- 4 Tennessee Williams and the Politics of the Closet 107
- 5 Gore Vidal and the Erotics of Masculinity 135
- 6 A Negative Relation to One's Culture: James Baldwin and the Homophobic Politics of Form 160
- Conclusion: The Work of Transformation 191
- Notes 199
- Index 237
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- Introduction: I'm Really a Queen Myself 1
-
PART 1 Film Noir and the Political Economy of Cold War Masculinity
- 1 Masculinizing the American Dream: Discourses of Resistance in the Cold War Era 23
- 2 Resisting the Lure of the Commodity: Laura and the Spectacle of the Gay Male Body 55
- 3 "Real American History": Crossfire and the Increasing Invisibility of Gay Men in the Cold War Era 79
-
PART 2 Gay Male Cultural Production in the Cold War Era
- 4 Tennessee Williams and the Politics of the Closet 107
- 5 Gore Vidal and the Erotics of Masculinity 135
- 6 A Negative Relation to One's Culture: James Baldwin and the Homophobic Politics of Form 160
- Conclusion: The Work of Transformation 191
- Notes 199
- Index 237