ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY

Jaleh Mansoor

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ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY

Jaleh Mansoor

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Mansoor, Jaleh. "ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY". Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia, New York, USA: Duke University Press, 2016, pp. 39-68. https://doi.org/10.1515/9780822373681-003

Mansoor, J. (2016). ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY. In Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia (pp. 39-68). New York, USA: Duke University Press. https://doi.org/10.1515/9780822373681-003

Mansoor, J. 2016. ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY. Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia. New York, USA: Duke University Press, pp. 39-68. https://doi.org/10.1515/9780822373681-003

Mansoor, Jaleh. "ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY" In Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia, 39-68. New York, USA: Duke University Press, 2016. https://doi.org/10.1515/9780822373681-003

Mansoor J. ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY. In: Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia. New York, USA: Duke University Press; 2016. p.39-68. https://doi.org/10.1515/9780822373681-003

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Chapters in this book

Frontmatter i
CONTENTS v
ACKNOWLEDGMENTS vii
INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK 1
ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY 39
TWO. LUCIO FONTANA AND THE POLITICS OF THE GESTURE 69
THREE. ALBERTO BURRI’S PLASTICS AND THE POLITICAL AESTHETICS OF OPACITY 101
FOUR. “WE WANT TO ORGANICIZE DISINTEGRATION” 127
CONCLUSION. “READY-MADE ARTIST AND HUMAN STRIKE,” OR FROM AUTONOMY TO STRIKE 175
NOTES 215
BIBLIOGRAPHY 257
INDEX 273

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https://doi.org/10.1515/9780822373681-003

Chapters in this book

Frontmatter i
CONTENTS v
ACKNOWLEDGMENTS vii
INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK 1
ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY 39
TWO. LUCIO FONTANA AND THE POLITICS OF THE GESTURE 69
THREE. ALBERTO BURRI’S PLASTICS AND THE POLITICAL AESTHETICS OF OPACITY 101
FOUR. “WE WANT TO ORGANICIZE DISINTEGRATION” 127
CONCLUSION. “READY-MADE ARTIST AND HUMAN STRIKE,” OR FROM AUTONOMY TO STRIKE 175
NOTES 215
BIBLIOGRAPHY 257
INDEX 273

ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY

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