INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK

Jaleh Mansoor

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INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK

Jaleh Mansoor

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Mansoor, Jaleh. "INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK". Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia, New York, USA: Duke University Press, 2016, pp. 1-38. https://doi.org/10.1515/9780822373681-002

Mansoor, J. (2016). INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK. In Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia (pp. 1-38). New York, USA: Duke University Press. https://doi.org/10.1515/9780822373681-002

Mansoor, J. 2016. INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK. Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia. New York, USA: Duke University Press, pp. 1-38. https://doi.org/10.1515/9780822373681-002

Mansoor, Jaleh. "INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK" In Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia, 1-38. New York, USA: Duke University Press, 2016. https://doi.org/10.1515/9780822373681-002

Mansoor J. INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK. In: Marshall Plan Modernism: Italian Postwar Abstraction and the Beginnings of Autonomia. New York, USA: Duke University Press; 2016. p.1-38. https://doi.org/10.1515/9780822373681-002

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Chapters in this book

Frontmatter i
CONTENTS v
ACKNOWLEDGMENTS vii
INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK 1
ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY 39
TWO. LUCIO FONTANA AND THE POLITICS OF THE GESTURE 69
THREE. ALBERTO BURRI’S PLASTICS AND THE POLITICAL AESTHETICS OF OPACITY 101
FOUR. “WE WANT TO ORGANICIZE DISINTEGRATION” 127
CONCLUSION. “READY-MADE ARTIST AND HUMAN STRIKE,” OR FROM AUTONOMY TO STRIKE 175
NOTES 215
BIBLIOGRAPHY 257
INDEX 273

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https://doi.org/10.1515/9780822373681-002

Chapters in this book

Frontmatter i
CONTENTS v
ACKNOWLEDGMENTS vii
INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK 1
ONE. THE MONOCHROME IN THE NEOCAPITALIST LABORATORY 39
TWO. LUCIO FONTANA AND THE POLITICS OF THE GESTURE 69
THREE. ALBERTO BURRI’S PLASTICS AND THE POLITICAL AESTHETICS OF OPACITY 101
FOUR. “WE WANT TO ORGANICIZE DISINTEGRATION” 127
CONCLUSION. “READY-MADE ARTIST AND HUMAN STRIKE,” OR FROM AUTONOMY TO STRIKE 175
NOTES 215
BIBLIOGRAPHY 257
INDEX 273

INTRODUCTION. LABOR, (WORKERS’) AUTONOMY, (ART) WORK

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