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7. Valuing the Arts in Ian McEwan’s Saturday
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Sarah Brouillette
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
- 1. The Creative Class and Cultural Governance 20
- 2. Work as Art / Art as Life 34
- 3. The Psychology of Creativity 56
- 4. Economy and Pathology in Aravind Adiga’s The White Tiger and Monica Ali’s In the Kitchen 83
- 5. Economy and Authenticity in Daljit Nagra’s Look We Have Coming to Dover! and Gautam Malkani’s Londonstani 116
- 6. The Strange Case of the Writer-Consultant 154
- 7. Valuing the Arts in Ian McEwan’s Saturday 175
- Conclusion 200
- Notes 209
- Notes 231
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction 1
- 1. The Creative Class and Cultural Governance 20
- 2. Work as Art / Art as Life 34
- 3. The Psychology of Creativity 56
- 4. Economy and Pathology in Aravind Adiga’s The White Tiger and Monica Ali’s In the Kitchen 83
- 5. Economy and Authenticity in Daljit Nagra’s Look We Have Coming to Dover! and Gautam Malkani’s Londonstani 116
- 6. The Strange Case of the Writer-Consultant 154
- 7. Valuing the Arts in Ian McEwan’s Saturday 175
- Conclusion 200
- Notes 209
- Notes 231