Acknowledgments

Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. Introduction 1
5. 1. The Creative Class and Cultural Governance 20
6. 2. Work as Art / Art as Life 34
7. 3. The Psychology of Creativity 56
8. 4. Economy and Pathology in Aravind Adiga’s The White Tiger and Monica Ali’s In the Kitchen 83
9. 5. Economy and Authenticity in Daljit Nagra’s Look We Have Coming to Dover! and Gautam Malkani’s Londonstani 116
10. 6. The Strange Case of the Writer-Consultant 154
11. 7. Valuing the Arts in Ian McEwan’s Saturday 175
12. Conclusion 200
13. Notes 209
14. Notes 231